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<channel>
	<title>William John Brooks</title>
	<link>https://williamjohnbrooks.com</link>
	<description>William John Brooks</description>
	<pubDate>Thu, 16 Apr 2026 20:32:35 +0000</pubDate>
	<generator>https://williamjohnbrooks.com</generator>
	<language>en</language>
	
		
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		<title>Top nav</title>
				
		<link>https://williamjohnbrooks.com/Top-nav</link>

		<pubDate>Thu, 02 Jun 2022 18:41:17 +0000</pubDate>

		<dc:creator>William John Brooks</dc:creator>

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	HomeInformation
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		<title>Header</title>
				
		<link>https://williamjohnbrooks.com/Header</link>

		<pubDate>Thu, 02 Jun 2022 18:41:18 +0000</pubDate>

		<dc:creator>William John Brooks</dc:creator>

		<guid isPermaLink="true">https://williamjohnbrooks.com/Header</guid>

		<description>
  
  
    William J. Brooks
  
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	<item>
		<title>Palimpsest, 2026</title>
				
		<link>https://williamjohnbrooks.com/Palimpsest-2026</link>

		<pubDate>Thu, 16 Apr 2026 20:32:35 +0000</pubDate>

		<dc:creator>William John Brooks</dc:creator>

		<guid isPermaLink="true">https://williamjohnbrooks.com/Palimpsest-2026</guid>

		<description>Palimpsest


	
&#60;img width="8640" height="5760" width_o="8640" height_o="5760" data-src="https://freight.cargo.site/t/original/i/fe1feec7ffb39cbc0532ad4244a1818e511e6bcaa4ed8d9eaf4eeeeec637f173/palimpsestWJB01.jpg" data-mid="247301850" border="0"  src="https://freight.cargo.site/w/1000/i/fe1feec7ffb39cbc0532ad4244a1818e511e6bcaa4ed8d9eaf4eeeeec637f173/palimpsestWJB01.jpg" /&#62;
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&#60;img width="8640" height="5760" width_o="8640" height_o="5760" data-src="https://freight.cargo.site/t/original/i/1535ce53b7a45c68f4cd372cbf335aa7172e21335289f5c6a65cb629e951fea9/palimpsestWJB03.jpg" data-mid="247301855" border="0"  src="https://freight.cargo.site/w/1000/i/1535ce53b7a45c68f4cd372cbf335aa7172e21335289f5c6a65cb629e951fea9/palimpsestWJB03.jpg" /&#62;
&#60;img width="4058" height="5760" width_o="4058" height_o="5760" data-src="https://freight.cargo.site/t/original/i/817e25d395c83488b9c5622e980d9542224203ab0bd831d5df68504b6b13c36d/palimpsestWJB05.jpg" data-mid="247301853" border="0"  src="https://freight.cargo.site/w/1000/i/817e25d395c83488b9c5622e980d9542224203ab0bd831d5df68504b6b13c36d/palimpsestWJB05.jpg" /&#62;
&#60;img width="1663" height="1043" src="data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7" data-src="https://freight.cargo.site/t/original/i/b84bc1f700b1231ed17a622ebd12eac107b183cec9991654bbd06890a612edf8/aberPrint-72.jpg"&#62;

	Palimpsest, 2026
Print installation of intaglio prints.





















Dimensions: 4.3m length x 1m width

 

Palimpsest, 2026, is a large-scale layered installation that conflates contemporary digital image-making with traditional intaglio print processes. The work captures fleeting radio transmissions and translates them into physical prints, arresting their ephemerality into tangible artifacts. By placing each layer over the next, the work deliberately disrupts the reception of the original recording; this accumulation generates a visual noise that mirrors the interference inherent in the radio spectrum.

Captured in Pembrokeshire, the source transmissions span fragmented music, speech, and the rhythmic pulses of local infrastructure and telemetry, reaching from the provincial to the distant. Crucially, the specific content of each layer is determined by chance, as the intaglio plates themselves served as resonant antennas, filtering the radio spectrum through their unique physical properties. This process provides distinct 'viewfinder(s)' into the immaterial and ethereal space of the airwaves, revealing the fragile pertinence of these connections to our contemporary existence.

The title, Palimpsest, refers to the constant reworkings of information across these frequencies, where the spectrum acts as a shared slate constantly rewritten by competing claims to attention. This mapping of the political tension inherent in the propagation of information transforms invisible transmissions into a tangible surface of overlapping histories. Here, distinct signals merge into a singular, complex texture that reveals the friction of these competing transmissions.







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	<item>
		<title>Clastic Resonance</title>
				
		<link>https://williamjohnbrooks.com/Clastic-Resonance</link>

		<pubDate>Fri, 16 May 2025 06:12:14 +0000</pubDate>

		<dc:creator>William John Brooks</dc:creator>

		<guid isPermaLink="true">https://williamjohnbrooks.com/Clastic-Resonance</guid>

		<description>Clastic Resonance

	
&#60;img width="5760" height="8640" width_o="5760" height_o="8640" data-src="https://freight.cargo.site/t/original/i/3ef3f5ac4174c70f9ac2e9ed783e3913b645095c1ee105a93cc0b0cf72a63220/ClasticResonance_wjb15.jpg" data-mid="238208900" border="0" data-scale="45" src="https://freight.cargo.site/w/1000/i/3ef3f5ac4174c70f9ac2e9ed783e3913b645095c1ee105a93cc0b0cf72a63220/ClasticResonance_wjb15.jpg" /&#62;
&#60;img width="8640" height="5760" width_o="8640" height_o="5760" data-src="https://freight.cargo.site/t/original/i/300d84ba76d6ee8124d45e30f06d6e21c5c8b6bf0bb30612ff3b0a693a091f5b/ClasticResonance_wjb09.jpg" data-mid="238208858" border="0"  src="https://freight.cargo.site/w/1000/i/300d84ba76d6ee8124d45e30f06d6e21c5c8b6bf0bb30612ff3b0a693a091f5b/ClasticResonance_wjb09.jpg" /&#62;
&#60;img width="4977" height="8640" width_o="4977" height_o="8640" data-src="https://freight.cargo.site/t/original/i/2112d04376fe37e4efa743dcc5f28bfefe5f770037c8ec15839cce8e2c5306f9/ClasticResonance_wjb10.jpg" data-mid="238208905" border="0" data-scale="39" src="https://freight.cargo.site/w/1000/i/2112d04376fe37e4efa743dcc5f28bfefe5f770037c8ec15839cce8e2c5306f9/ClasticResonance_wjb10.jpg" /&#62;
&#60;img width="8640" height="5760" width_o="8640" height_o="5760" data-src="https://freight.cargo.site/t/original/i/b0a680c951f97ca7186e552bfebefadd6115e6d9c4a02ba1febbf8b621b81530/ClasticResonance_wjb08.jpg" data-mid="238208903" border="0"  src="https://freight.cargo.site/w/1000/i/b0a680c951f97ca7186e552bfebefadd6115e6d9c4a02ba1febbf8b621b81530/ClasticResonance_wjb08.jpg" /&#62;

	Clastic Resonance, 2025

 



Dimensions: 8m length x 6m width

 
An interactive multi-channel haptic installation, comprised of (5) ‘Riyadh Sandstone’ boulders on a plain of sand, each resonating with low-frequency sounds recorded from the vast urban development that Saudi Arabia is currently undertaking.Using contact transducers embedded in the sandstone, the installation transform each stone into an resonant body. The highly localized transmission of sound, barely perceptible at distance, requires the audience to reveal the sonic nature of the installation by interacting with the materiality of each natural form; placing their hands or body against the stones to perceive the resonance, reshaping the act of listening, from an auditory experience into a haptic, embodied encounter.


Experiencing Riyadh’s soundscape, Brooks became increasingly aware of how sound marks a place—most notably through the call to prayer, a cultural phenomenon unfamiliar to him back home. This heightened sensitivity made him more attuned to the city’s rapid physical transformation and the sonic impressions it leaves in its wake. He started questioning how the sounds of construction and industry impinge upon the natural landscape. What traces do these activities leave behind, not just in memory but in material. This project examines that relationship by using Riyadh sandstone—an enduring geological presence—as a surface that carries the low-frequency resonances of urban expansion. By transmitting these vibrations through stone, the work shifts listening beyond the auditory and into a haptic experience. Visitors engage directly, pressing hands or ears against the surface to perceive the ephemeral echoes of a changing city. The project negotiates the relationship between the enduring natural material landscape and the transient sonic nature of a city in flux, inviting reflection on the anthropogenic impressions left upon the land.


Exhibited. as part of the inagural Diriyah Arts Futures: Emerging New Media Artists 2025, Riyadh, Saudi Arabia.&#38;nbsp;











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	<item>
		<title>Radio Tapestry II</title>
				
		<link>https://williamjohnbrooks.com/Radio-Tapestry-II</link>

		<pubDate>Sun, 24 Mar 2024 23:04:36 +0000</pubDate>

		<dc:creator>William John Brooks</dc:creator>

		<guid isPermaLink="true">https://williamjohnbrooks.com/Radio-Tapestry-II</guid>

		<description>
	Radio Tapestry II
	
	


	
&#60;img width="5760" height="8640" width_o="5760" height_o="8640" data-src="https://freight.cargo.site/t/original/i/0e153ad9887462659af2e194c3f5972f511d9fd3d8b743f5d58b816aaae21904/WJBradioTapestryII_02.jpg" data-mid="217922821" border="0"  src="https://freight.cargo.site/w/1000/i/0e153ad9887462659af2e194c3f5972f511d9fd3d8b743f5d58b816aaae21904/WJBradioTapestryII_02.jpg" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/866b1520e14eb7a9de240623f369938fbd87f47963746e9260b86af8dbec164f/WJBradioTapestryII_03.jpg" data-mid="217922822" border="0"  src="https://freight.cargo.site/w/1000/i/866b1520e14eb7a9de240623f369938fbd87f47963746e9260b86af8dbec164f/WJBradioTapestryII_03.jpg" /&#62;
&#60;img width="1195" height="1143" width_o="1195" height_o="1143" data-src="https://freight.cargo.site/t/original/i/5222069eb73969ed82787576473cdf692dce93f15a5746f370af9a1d641e9fc0/WJBradioTapestryII_04.jpg" data-mid="217922823" border="0"  src="https://freight.cargo.site/w/1000/i/5222069eb73969ed82787576473cdf692dce93f15a5746f370af9a1d641e9fc0/WJBradioTapestryII_04.jpg" /&#62;

	Radio Tapestry II, 2024

 

Etched zinc plates with copper windings.&#38;nbsp;





















Dimensions: 2.2m length x 1.2m width

 

A collection of photographic etchings of wireless transmissions received in Pembrokeshire, South West Wales.

Each plate, used for its conductive properties, depicts a moment of reception; a material representation of transient signals. These collated artefacts offer insight into what I refer to as the ‘Radio Frequency Landscape’—a non-optical space that carries our wireless identities, interactions, and existence in the digital age.&#38;nbsp;



Shortlisted, and exhibited. as part of the Gilchrist-Fisher Award 2024 at the Rebecca Hossack Gallery, Fitzrovia London.











</description>
		
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	<item>
		<title>Macro Impressions</title>
				
		<link>https://williamjohnbrooks.com/Macro-Impressions</link>

		<pubDate>Fri, 01 Sep 2023 14:39:16 +0000</pubDate>

		<dc:creator>William John Brooks</dc:creator>

		<guid isPermaLink="true">https://williamjohnbrooks.com/Macro-Impressions</guid>

		<description>
	Macro Impressions
	
	


	
&#60;img width="1440" height="960" width_o="1440" height_o="960" data-src="https://freight.cargo.site/t/original/i/f7abf51cf0cc6468f506e748417fe497e030d77436ab5ef18edd8e831ec496e5/wjbMacroImpressions_img14.jpg" data-mid="189509817" border="0"  src="https://freight.cargo.site/w/1000/i/f7abf51cf0cc6468f506e748417fe497e030d77436ab5ef18edd8e831ec496e5/wjbMacroImpressions_img14.jpg" /&#62;
&#60;img width="1440" height="960" width_o="1440" height_o="960" data-src="https://freight.cargo.site/t/original/i/56c6aa609584de775fa6cce0d94c8581ed0b4cee6e0972d58aca4cbef74083c5/wjbMacroImpressions_img15.jpg" data-mid="189509783" border="0"  src="https://freight.cargo.site/w/1000/i/56c6aa609584de775fa6cce0d94c8581ed0b4cee6e0972d58aca4cbef74083c5/wjbMacroImpressions_img15.jpg" /&#62;
&#60;img width="1440" height="960" width_o="1440" height_o="960" data-src="https://freight.cargo.site/t/original/i/29369526177403f41a8641bf703ec607b3cba14fb5265733fde70bb966ef182d/wjbMacroImpressions_img04.jpg" data-mid="189510070" border="0"  src="https://freight.cargo.site/w/1000/i/29369526177403f41a8641bf703ec607b3cba14fb5265733fde70bb966ef182d/wjbMacroImpressions_img04.jpg" /&#62;
&#60;img width="1440" height="960" width_o="1440" height_o="960" data-src="https://freight.cargo.site/t/original/i/495ab1a7182392db7962211036469ca5d91c7679c511a951868825bcd25eb2a6/wjbMacroImpressions_img10.jpg" data-mid="189509827" border="0"  src="https://freight.cargo.site/w/1000/i/495ab1a7182392db7962211036469ca5d91c7679c511a951868825bcd25eb2a6/wjbMacroImpressions_img10.jpg" /&#62;

	Macro Impressions, 2023

 

Photographic Series.&#38;nbsp;



















An extreme macro-photography series of inscribed metal plates. 

Used for their conductive properties, each plate depicts a moment of reception; a material representation of transient transmissions. Using such an intimate perspective affords us the ability to register the minute topography of each etching.&#38;nbsp;














</description>
		
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	<item>
		<title>Radio Tapestry</title>
				
		<link>https://williamjohnbrooks.com/Radio-Tapestry</link>

		<pubDate>Thu, 02 Jun 2022 18:41:18 +0000</pubDate>

		<dc:creator>William John Brooks</dc:creator>

		<guid isPermaLink="true">https://williamjohnbrooks.com/Radio-Tapestry</guid>

		<description>
	Radio Tapestry
	
	


	
&#60;img width="596" height="895" width_o="596" height_o="895" data-src="https://freight.cargo.site/t/original/i/619aec5c1f33645aff9d126ba70431196269a6a2239d3eb8f3d102b2b3ce8298/testasd.png" data-mid="144396733" border="0"  src="https://freight.cargo.site/w/596/i/619aec5c1f33645aff9d126ba70431196269a6a2239d3eb8f3d102b2b3ce8298/testasd.png" /&#62;
&#60;img width="594" height="898" width_o="594" height_o="898" data-src="https://freight.cargo.site/t/original/i/dea64ed1529dfd82b2b0d47a86eae90d9a63920b81fc02c685ff4daa7649c380/rfTest_02.png" data-mid="144991879" border="0"  src="https://freight.cargo.site/w/594/i/dea64ed1529dfd82b2b0d47a86eae90d9a63920b81fc02c685ff4daa7649c380/rfTest_02.png" /&#62;
&#60;img width="596" height="900" width_o="596" height_o="900" data-src="https://freight.cargo.site/t/original/i/1319f3348dd635d783c4b76d8a17286cc9e84ff6703f9752c4721748a9309324/rfTest_04.png" data-mid="144991882" border="0"  src="https://freight.cargo.site/w/596/i/1319f3348dd635d783c4b76d8a17286cc9e84ff6703f9752c4721748a9309324/rfTest_04.png" /&#62;
&#60;img width="596" height="897" width_o="596" height_o="897" data-src="https://freight.cargo.site/t/original/i/e5162441e497832fd761afbf0a8b5bb2c847b4690cf6eaa8afae3453e15e225c/rfTest_03.png" data-mid="144991880" border="0"  src="https://freight.cargo.site/w/596/i/e5162441e497832fd761afbf0a8b5bb2c847b4690cf6eaa8afae3453e15e225c/rfTest_03.png" /&#62;

	Radio Tapestry, 2022

 

Sound Installation; Etched Zinc plates connected via copper thread, interfaced with a Raspberry Pi Computer


 

Dimensions: 2.33m height x 1m width






















Radio Tapestry is
an installation work, composed of photographic etchings of received radio
transmissions on zinc plates. Used as antennae, each plate captures a fleeting
moment in time, an intersection between electromagnetism, propagation, and
human agency.



Whether the recorded
transmissions are intentional &#38;nbsp;- music or communication - or unintentional
– polluting electronic sources; security systems, transformers – the
materiality of each plate offers an interface into an often-overlooked
understanding of space, the Radio Frequency (RF) Landscape. &#38;nbsp;A
topographical conception of RF which emphasises that these ethereal
interactions exist in parallel to the corporeal space we inhabit in our
day-to-day lives.



Each inscribed radio artefact
is woven into the next via copper windings. An acknowledgement of the historic
association with the textile process of warp and weft to radio’s interrelation
between electricity and magnetism. This conductive continuity between plates
allows each ‘stitch’ to become part of a larger fabric of antenna, in which
every collated radio artefact serves part of a more substantial receiver. Received
signals are then audibly played back in real-time, allowing us to witness the
propagation of information in space.&#38;nbsp; 










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		<title>Inscriptions </title>
				
		<link>https://williamjohnbrooks.com/Inscriptions</link>

		<pubDate>Tue, 14 Jun 2022 22:11:10 +0000</pubDate>

		<dc:creator>William John Brooks</dc:creator>

		<guid isPermaLink="true">https://williamjohnbrooks.com/Inscriptions</guid>

		<description>
	

Inscriptions


	
	


	
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/d274241779a76d12b34119924a72970a5ae0dfc07df4977cc830e6e86fe6e9c7/belfastWJB-6.jpg" data-mid="145450468" border="0"  src="https://freight.cargo.site/w/1000/i/d274241779a76d12b34119924a72970a5ae0dfc07df4977cc830e6e86fe6e9c7/belfastWJB-6.jpg" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/73edc00132590ef8ec41014a6b5508376767123a38eadc8f4bb075984618eb0d/belfastWJB-1.jpg" data-mid="145449999" border="0"  src="https://freight.cargo.site/w/1000/i/73edc00132590ef8ec41014a6b5508376767123a38eadc8f4bb075984618eb0d/belfastWJB-1.jpg" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/1efcaf744d40b9280d5a29398f3470463f0ff3b3ec70a37a8df6ebc682374b76/belfastWJB-2.jpg" data-mid="145450001" border="0"  src="https://freight.cargo.site/w/1000/i/1efcaf744d40b9280d5a29398f3470463f0ff3b3ec70a37a8df6ebc682374b76/belfastWJB-2.jpg" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/27d1b121c27d8a8be3ad9b83151850fbb31c2e3f0237f6e28a95a86a338bfa8c/belfastWJB-3.jpg" data-mid="145450006" border="0"  src="https://freight.cargo.site/w/1000/i/27d1b121c27d8a8be3ad9b83151850fbb31c2e3f0237f6e28a95a86a338bfa8c/belfastWJB-3.jpg" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/69a4782467ae1d445f52c80b3b39a3b143094ce8294a8c2e2dc886ac5246eeb5/belfastWJB-4.jpg" data-mid="145450009" border="0"  src="https://freight.cargo.site/w/1000/i/69a4782467ae1d445f52c80b3b39a3b143094ce8294a8c2e2dc886ac5246eeb5/belfastWJB-4.jpg" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/0e7e5cd87d6cedf687858539dfe28265fd23822e575e1c238817564e47f22b13/tapestryWJB-14.jpg" data-mid="145583380" border="0"  src="https://freight.cargo.site/w/1000/i/0e7e5cd87d6cedf687858539dfe28265fd23822e575e1c238817564e47f22b13/tapestryWJB-14.jpg" /&#62;

	Inscriptions, 2022
Etched zinc platesVarious Dimensions: from 2x2cm to A2
Each zinc plate has been used as an antenna, to record information, exclusive
to its resonant frequencies. The resonant frequency is denoted by, and unique to,
the definitions of the plate; the material, weight, size, composition.
These recordings of Radio transmission vary from intentional - this could be
broadcast stations or amateur communications - to unintentional spurious
emissions of RF, such as locally oscillating circuits, but most crucially they all
involve the provocation of electromagnetic energy. Each piece of recorded
information is bound to the plate that was used to receive it. A literal
moment in time in which the recording was taken; a specific intermingling of
time, electromagnetism, and human agency (receiving or transmitting)





















The digital recording taken was then inscribed back into the plate,
leaving an impression; thus turning the machined zinc plate from an industrial
material to an RF artefact. Not
only does each antenna (plate) offer a conduit into the electromagnetic
spectrum, the medium of the computational (software) also offers a visual interface in which
to present such a phenomena. 
 










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	<item>
		<title>Cellular Impressions</title>
				
		<link>https://williamjohnbrooks.com/Cellular-Impressions</link>

		<pubDate>Thu, 02 Jun 2022 18:41:18 +0000</pubDate>

		<dc:creator>William John Brooks</dc:creator>

		<guid isPermaLink="true">https://williamjohnbrooks.com/Cellular-Impressions</guid>

		<description>
	Cellular Impressions
	

	


	
&#60;img width="8334" height="12500" width_o="8334" height_o="12500" data-src="https://freight.cargo.site/t/original/i/d77119307ea3098ab4ae12037718c09d9478bb5171229a6101ee20dd67243cd8/1-Object-of-Science_Cellular_Impressions.png" data-mid="145430416" border="0"  src="https://freight.cargo.site/w/1000/i/d77119307ea3098ab4ae12037718c09d9478bb5171229a6101ee20dd67243cd8/1-Object-of-Science_Cellular_Impressions.png" /&#62;
&#60;img width="8334" height="12500" width_o="8334" height_o="12500" data-src="https://freight.cargo.site/t/original/i/f1bea09fe46e4b4398411966724c5336c1b2ddb7ebdc7f6598c951d709fdd8da/2-Object-of-Science_Cellular_Impressions.png" data-mid="145430415" border="0"  src="https://freight.cargo.site/w/1000/i/f1bea09fe46e4b4398411966724c5336c1b2ddb7ebdc7f6598c951d709fdd8da/2-Object-of-Science_Cellular_Impressions.png" /&#62;
&#60;img width="8334" height="12500" width_o="8334" height_o="12500" data-src="https://freight.cargo.site/t/original/i/cd17e790168d3cb4bd1809bb2e2d2b41aeba8c1c97e2fb61cc36be6bdbe71330/3-Object-of-Science_Cellular_Impressions.png" data-mid="145430420" border="0"  src="https://freight.cargo.site/w/1000/i/cd17e790168d3cb4bd1809bb2e2d2b41aeba8c1c97e2fb61cc36be6bdbe71330/3-Object-of-Science_Cellular_Impressions.png" /&#62;

	

Cellular Impressions, 2020Digital Image Series


A visualisation of cellular transmission from a mobile
phone. Despite the abstract and formalised image of these Ultra-High-Frequency
exchanges, each mark represents bits of information that construct the habits,
interests, and interactions of the user, thus serving as digital footprint. 









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		<title>Contact Drawings</title>
				
		<link>https://williamjohnbrooks.com/Contact-Drawings</link>

		<pubDate>Thu, 09 Jun 2022 12:50:06 +0000</pubDate>

		<dc:creator>William John Brooks</dc:creator>

		<guid isPermaLink="true">https://williamjohnbrooks.com/Contact-Drawings</guid>

		<description>
	Contact Drawings
	
	


	
&#60;img width="1368" height="1368" width_o="1368" height_o="1368" data-src="https://freight.cargo.site/t/original/i/e3e9e4a71e20f9ecb1f0517452a82e96824ed4ba5a9b3d2aaae6d2340ff2168f/WilliamBrooks01.jpg" data-mid="144993057" border="0"  src="https://freight.cargo.site/w/1000/i/e3e9e4a71e20f9ecb1f0517452a82e96824ed4ba5a9b3d2aaae6d2340ff2168f/WilliamBrooks01.jpg" /&#62;
&#60;img width="1368" height="1368" width_o="1368" height_o="1368" data-src="https://freight.cargo.site/t/original/i/2c5879aea01f04b6af27a8d8008235a431fb9c5eaab31acb7ab60a5958734ac0/WilliamBrooks04.jpg" data-mid="145045537" border="0"  src="https://freight.cargo.site/w/1000/i/2c5879aea01f04b6af27a8d8008235a431fb9c5eaab31acb7ab60a5958734ac0/WilliamBrooks04.jpg" /&#62;
&#60;img width="1368" height="1368" width_o="1368" height_o="1368" data-src="https://freight.cargo.site/t/original/i/f58b6521abe3d10e140a55071be0f0255a9184dbbe6ced95ed5773bf05ef3fe3/WilliamBrooks03.jpg" data-mid="145045536" border="0"  src="https://freight.cargo.site/w/1000/i/f58b6521abe3d10e140a55071be0f0255a9184dbbe6ced95ed5773bf05ef3fe3/WilliamBrooks03.jpg" /&#62;
&#60;img width="1368" height="1368" width_o="1368" height_o="1368" data-src="https://freight.cargo.site/t/original/i/94fce037a389a0efa94130405cfe0fb34a77f375482015640d3553c890955394/WilliamBrooks02.jpg" data-mid="145045535" border="0"  src="https://freight.cargo.site/w/1000/i/94fce037a389a0efa94130405cfe0fb34a77f375482015640d3553c890955394/WilliamBrooks02.jpg" /&#62;

	Contact Drawings, 2021
Media: Digital Image


 















Contact
Drawings is an ongoing project culminating of&#38;nbsp; real-time global contact recordings. 
Created during lockdown, when communication was almost exclusively through digital devices, I began to explore many of the telematic architectures we as
humans employ to communicate globally. &#38;nbsp;



Looking at ‘Dxing’, the amateur transmission of non-commercial messages globally to make two-way radio contact with distant agents, I was able to transcribe real-time data of these global exchanges as they happen in the world.&#38;nbsp;
Substituting a global geographical map for a white background, each thread made emphasises not where they occurred in the world but rather on the shifting compositions
themselves. These 









contemporary drawings, although
 digital, concern physcial interaction; as they instigated by globe agents
collaborating in the physical world. Each line, begins and ends with a human
on an international level, irrespective of their nationality or cultural
identity; ultimately, and unknowingly, informing the shifting composition
through their interaction.




 




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